The record starts intensely with the guitar-centric jazz-rock track, Dež. It’s both groovy and funky, reminiscent of Leb i Sol. The track incorporates some pleasant vocals as well, but, like a lot of jazz-rock, they’re pretty basic — similar, in a way, to Oko’s Raskorak or Izvir. You can immediately sense that Ljubljana Jazz-rock underground vibe.

Sprehod slows things down with some sensual and groovy keys from Pompe. It’s relaxing and smooth, like drifting on a calm sea. The guitar still manages to weave its way into the spotlight with a psychedelic element to it that definitely echoes the more dreamy and atmospheric side of The Doors.

Razmišljanje is soft, slow, and romantic, like a slow dance in the night. It has a classy, late-evening feel to it — the kind of track deserving of accompaniment by a glass of red wine and a warm balcony. The jazzy keyboard lines and Gruden’s gentle guitar touches add a mellow feel to the groove.

Oaza lifts the tempo with mischievous intent. There’s a Latin or surf-rock flavour to the rhythm. The vocals return in a melodic and airy fashion, adding just another simple layer to the funky beat.

Side B starts with Brez Besed, a jazz-funk tune with a light bounce. The saxophone adds a bit of brightness, and the whole track feels loose, warm, and pretty easy-going. Svit follows in a similar sense — groovy and funky — faithful to the band’s formula. The record avoids moving into dense or complicated jazz fusion; instead, it mixes jazz-rock with elements of soul, funk, and touches of psychedelia, leading to an accessible and tasteful record.

The album leaves you feeling refreshed and re-energised through its relaxed, cohesive, and stylish arrangements. It’s an album made for late evenings, unwinding after work, or letting something playful feature in the background while you cook dinner. This is smooth and groovy Ljubljana jazz-rock done right.